The artistic stagnation of Vienna at the end of the 19th century was
rudely shaken by the artists of the Vienna Secession. Their work shocked
a conservative public, but their successive exhibitions, their magazineVer Sacrum, and their application
to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage.Art in Vienna, 1898–1918: Klimt, Kokoschka, Schiele and their Contemporaries,
now published in its 4th edition, brilliantly traces the course of this
development. Klimt, Kokoschka and Schiele were the leading figures in
the fine arts; Wagner, Olbrich, Loos and Hoffmann in architecture and
the applied arts. In other fields, Mahler, Freud and Schnitzler were
influencing the avant‐garde.
The book includes eye‐witness accounts of exhibitions, the
opening of the Secession building and other events, and the result is a
fascinating documentary study of the members of an artistic movement
which is much admired today. Some 150 color images
and 75 black and white archival illustrations make this a sumptuous and
historically engrossing study of a period when Vienna was the centre of
the European art world.