Carlson's Guide to Landscape Painting

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Written by a famous American painter and teacher, whose landscapes are found in many of the world's most noted museums, this book is known as one of the art students' most helpful guides. It provides a wealth of advice on the choice of subject; it tells what to look for and aim for, and explains the mysteries of color, and atmospheric conditions and other phenomena to be found in nature.

Colored Pencil Painting Bible: Techniques for Achieving Luminous Color and Ultrarealistic Effects

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Layering, translucent effects and using odorless solvents to achieve rich, luminous color and eye-popping ultra-realistic effects, Nickelsen's innovations will delight readers, and detailed step-by-step demonstrations bring her striking results within reach of every artist.

Fill Your Oil Paintings with Light & Color

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These pages practically glow with Kevin Macpherson's rich and powerful paintings! He shares his techniques for quickly capturing the mood of a scene in bold, direct brushstrokes, with step-by-step instructions that make it easy--simply a matter of painting the colors you see. Follow his lead and you too, can create landscapes and still lives in a vibrant, impressionistic style.

Color and Light: A Guide for the Realist Painter

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From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings.

Brave Intuitive Painting-Let Go, Be Bold, Unfold!: Techniques for Uncovering Your Own Unique Painting Style

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Adopt a spontaneous, bold, and fearless approach to painting as a process of discovery--one that results in lush and colorful finished works that will beg to be displayed. This inspiring and encouraging book for both novice and experienced painters teaches how to create colorful, exciting, expressive paintings through a variety of techniques, combining basic, practical painting principles with innovative personal self-expression.

Institutional Time: A Critique of Studio Art Education

Institutional Time : a critique of studio art education by Judy Chicago.
In this characteristically tenacious book, feminist artist and educator Chicago, best known for her 1979 installation "The Dinner Party" (now permanently installed at the Brooklyn Museum), shares her struggles and successes as an art instructor at CalArts (where she helped establish the feminist art program), Indiana University, Duke, Western Kentucky, Vanderbilt, and elsewhere and boldly calls for a systematic restructuring of studio art programs, which she finds "deficient, dishonest, and lacking in standards, " as well as androcentric. Women's enrollment surpasses men's, but they are especially disadvantaged and less likely to succeed because the "curriculum as it exists today is biased against women." Chicago holds up her pedagogical methods as potential models for reforms, particularly her emphasis on students locating personal content (when technique usually takes precedence), which helps women and students outside the cultural mainstream. Publishers Weekly (02/17/2014)

Witness: Art and Civil Rights in the Sixties

 Witness : Art and Civil Rights in the Sixties 
 Accompanying a highly anticipated exhibit at the Brooklyn Museum, this thoughtful catalog of brilliantly wide-ranging aesthetics explores the complex relations between visual art and the fight for racial justice. Taking as its occasion the 50th anniversary of the Civil Rights Act of 1964, the text moves away from rote historical narratives, instead opting to focus on the role of the photographer in shaping action and emergent discourses, of the influence of Ghana and Cuba on politics and aesthetics, and of the tensions of politics in Pop art. These thoughtful essays help guide what might otherwise be an overwhelming diversity of images, including a David Hammons body print, an iconic poster by Emory Douglas, Betye Saar assemblages, and Norman Rockwell paintings, among many others. The images themselves, brought into conversation with one another, are a valuable and resonant resource, allowing not only a deeper understanding of art from the 1960s, but of the ongoing historical reality of race in the United States. Publishers Weekly (02/24/2014)