In almost all photography it’s the quality of light that makes or
breaks the shot. For professional photographers, chasing the light,
waiting for it, sometimes helping it, and finally capturing it is a
constant preoccupation — and for some an obsession.
Drawing on four decades of doing just this, Michael Freeman takes a
simple but practical approach to reacting to, and capturing
photography’s most important commodity.
There are just three sections titled Waiting, Chasing, and Helping:
Waiting explains the kinds of lighting that photographers can anticipate
and plan for, while Chasing explores the transient, serendipitous light
that photographers have to work quickly to
exploit. Helping, the final and most technical section, focuses on the
skills and techniques for enhancing, reducing, or otherwise controlling
light, covering everything from in-the-field shooting choices to
technical transformations to post-production.
Arts!
A selection of our new and noteworthy materials on the Performing Arts as well as other Fine Arts
Monday, May 4, 2015
Tuesday, April 28, 2015
Every Hour of the Light: The Paintings of Mary Sipp Green
American landscape painter Mary Sipp-Green, based in the bucolic
Berkshire Hills of Massachusetts, is superlative in her ability to pull
in the viewer and transfer the accompanying emotions in her atmospheric
landscapes and seascapes. The intensely saturated colours in her works
evoke an immediate sense of place and a privileged window on an intimate
tableau. Sipp-Green achieves an ethereal, nuanced quality to her
paintings that imparts a refined, inimitable serenity. Many of the
subjects she paints - salt marshes, barns, meadows, rivers, and the
occasional cityscape - are captured in the beautiful light of dusk or a
luminescent sunrise. The effect is dreamy yet grounded and emotive.
Sipp-Green states, "While my preferred medium has always been oil on linen, my methods, techniques, and aesthetic aims have all undergone significant transformations since I first began. I learned my craft in the studio, painting still-lifes and portraits, as well as landscapes drawn directly from nature. Over time, I became increasingly engaged with more abstract and spiritual aspects of the landscape form and I began to pursue a less representational, more expressive style." When describing the 'diffuse quality of colour,' she explains, "I use many layers of paint, allowing each to dry before the next is applied. Along the way, the surface of the paint is often refigured in unpredictable ways, and there is much that has to be scraped, sanded, destroyed and reapplied before the essence of a place, its mood and atmosphere finally emerges onto the canvas."
Sipp-Green states, "While my preferred medium has always been oil on linen, my methods, techniques, and aesthetic aims have all undergone significant transformations since I first began. I learned my craft in the studio, painting still-lifes and portraits, as well as landscapes drawn directly from nature. Over time, I became increasingly engaged with more abstract and spiritual aspects of the landscape form and I began to pursue a less representational, more expressive style." When describing the 'diffuse quality of colour,' she explains, "I use many layers of paint, allowing each to dry before the next is applied. Along the way, the surface of the paint is often refigured in unpredictable ways, and there is much that has to be scraped, sanded, destroyed and reapplied before the essence of a place, its mood and atmosphere finally emerges onto the canvas."
The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism
Click for The Realism Challenge!!
With just watercolors, colored pencils, and white gouache, artist Mark
Crilley takes you step-by-step through his process for producing
stunning, hyper-realistic recreations of everyday items. Based on
Crilley’s mega-popular “Realism Challenge” YouTube videos,The
Realism Challenge contains thirty lessons demonstrating how to
render mirror-like duplicates in the trompe l’oeil tradition of
everything from shells, leaves, and candy bars to your very own still
life arrangements. Each lesson builds off the previous
one, as you’ll master essential artistic techniques like creating drop
shadows, adding highlights, and building from light to dark. Learn the
secrets of one of hyper-realism’s biggest stars. Come take . . .The Realism Challenge!
Tuesday, April 14, 2015
The Complete Digital Photo Handbook
Click for The Complete Digital Photo Handbook!!
A comprehensive guide for photographers of any skill level covers such
topics as camera types, core camera skills, lenses and focal length,
accessories, Photoshop and Elements, and RAW imaging, with projects for
mastering essential techniques.
Tuesday, January 27, 2015
Sketch!
Click for SKETCH! !!!
Urban sketching--the process of sketching on the go as a regular
practice--is a hot trend in the drawing world. In this aspirational
guide, French artist France Belleville-Van Stone offers motivation to
move beyond the comfort zone, as well as instruction on
turning rough sketches into finished work. By sharing her own creative
process, which includes sketching by hand and digitally, Belleville-Van
Stone emboldens readers to craft a method of their own and devote more
time to art, even if it's just 10 minutes
a day. Sketch will inspire artists both established and aspiring
to rethink their daily practice, sketch for the pure joy of it, and
document their lives and the world around them.
Friday, December 12, 2014
Nikon Lenses: From Snapshots to Great Shots
Click for Nikon Lenses : From Snapshots to Great Shots!!!
You own a Nikon DSLR, but which Nikon lens is best for your shooting style and your budget? This guide by pro photographer Jerod Foster will help you learn the features of Nikon lenses to capture the stunning pictures you want for a price that matches your needs.
You own a Nikon DSLR, but which Nikon lens is best for your shooting style and your budget? This guide by pro photographer Jerod Foster will help you learn the features of Nikon lenses to capture the stunning pictures you want for a price that matches your needs.
Thursday, December 4, 2014
Shadows: The Depiction of Cast Shadows in Western Art
Click for Shadows: The Depiction of Cast Shadows in Western Art!!! |
In this intriguing book, E.H. Gombrich, who was one of the world's foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented--or ignored--by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in their representations. First published to accompany an exhibition at the National Gallery, London, in 1995, it is reissued here with additional color illustrations and a new introduction by esteemed scholar Nicholas Penny.
In this intriguing book, E.H. Gombrich, who was one of the world's foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented--or ignored--by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in their representations. First published to accompany an exhibition at the National Gallery, London, in 1995, it is reissued here with additional color illustrations and a new introduction by esteemed scholar Nicholas Penny.
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