Arts!

A selection of our new and noteworthy materials on the Performing Arts as well as other Fine Arts

Monday, May 4, 2015

Capturing Light: The Heart of Photography

In almost all photography it’s the quality of light that makes or breaks the shot. For professional photographers, chasing the light, waiting for it, sometimes helping it, and finally capturing it is a constant preoccupation — and for some an obsession.
Drawing on four decades of doing just this, Michael Freeman takes a simple but practical approach to reacting to, and capturing photography’s most important commodity.
There are just three sections titled Waiting, Chasing, and Helping: Waiting explains the kinds of lighting that photographers can anticipate and plan for, while Chasing explores the transient, serendipitous light that photographers have to work quickly to exploit. Helping, the final and most technical section, focuses on the skills and techniques for enhancing, reducing, or otherwise controlling light, covering everything from in-the-field shooting choices to technical transformations to post-production.

Tuesday, April 28, 2015

Every Hour of the Light: The Paintings of Mary Sipp Green

American landscape painter Mary Sipp-Green, based in the bucolic Berkshire Hills of Massachusetts, is superlative in her ability to pull in the viewer and transfer the accompanying emotions in her atmospheric landscapes and seascapes. The intensely saturated colours in her works evoke an immediate sense of place and a privileged window on an intimate tableau. Sipp-Green achieves an ethereal, nuanced quality to her paintings that imparts a refined, inimitable serenity. Many of the subjects she paints - salt marshes, barns, meadows, rivers, and the occasional cityscape - are captured in the beautiful light of dusk or a luminescent sunrise. The effect is dreamy yet grounded and emotive.
Sipp-Green states, "While my preferred medium has always been oil on linen, my methods, techniques, and aesthetic aims have all undergone significant transformations since I first began. I learned my craft in the studio, painting still-lifes and portraits, as well as landscapes drawn directly from nature. Over time, I became increasingly engaged with more abstract and spiritual aspects of the landscape form and I began to pursue a less representational, more expressive style." When describing the 'diffuse quality of colour,' she explains, "I use many layers of paint, allowing each to dry before the next is applied. Along the way, the surface of the paint is often refigured in unpredictable ways, and there is much that has to be scraped, sanded, destroyed and reapplied before the essence of a place, its mood and atmosphere finally emerges onto the canvas."

The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism

With just watercolors, colored pencils, and white gouache, artist Mark Crilley takes you step-by-step through his process for producing stunning, hyper-realistic recreations of everyday items. Based on Crilley’s mega-popular “Realism Challenge” YouTube videos,The Realism Challenge contains thirty lessons demonstrating how to render mirror-like duplicates in the trompe l’oeil tradition of everything from shells, leaves, and candy bars to your very own still life arrangements. Each lesson builds off the previous one, as you’ll master essential artistic techniques like creating drop shadows, adding highlights, and building from light to dark. Learn the secrets of one of hyper-realism’s biggest stars. Come take . . .The Realism Challenge!

Tuesday, April 14, 2015

The Complete Digital Photo Handbook

A comprehensive guide for photographers of any skill level covers such topics as camera types, core camera skills, lenses and focal length, accessories, Photoshop and Elements, and RAW imaging, with projects for mastering essential techniques.

Tuesday, January 27, 2015

Sketch!

Click for SKETCH! !!!
Urban sketching--the process of sketching on the go as a regular practice--is a hot trend in the drawing world. In this aspirational guide, French artist France Belleville-Van Stone offers motivation to move beyond the comfort zone, as well as instruction on turning rough sketches into finished work. By sharing her own creative process, which includes sketching by hand and digitally, Belleville-Van Stone emboldens readers to craft a method of their own and devote more time to art, even if it's just 10 minutes a day. Sketch will inspire artists both established and aspiring to rethink their daily practice, sketch for the pure joy of it, and document their lives and the world around them.

Friday, December 12, 2014

Nikon Lenses: From Snapshots to Great Shots

Click for Nikon Lenses : From Snapshots to Great Shots!!!

You own a Nikon DSLR, but which Nikon lens is best for your shooting style and your budget? This guide by pro photographer Jerod Foster will help you learn the features of Nikon lenses to capture the stunning pictures you want for a price that matches your needs.

Thursday, December 4, 2014

Shadows: The Depiction of Cast Shadows in Western Art


Click for Shadows: The Depiction of Cast Shadows in Western Art!!!


In this intriguing book, E.H. Gombrich, who was one of the world's foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented--or ignored--by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in their representations. First published to accompany an exhibition at the National Gallery, London, in 1995, it is reissued here with additional color illustrations and a new introduction by esteemed scholar Nicholas Penny.
In this intriguing book, E.H. Gombrich, who was one of the world's foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented--or ignored--by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in their representations. First published to accompany an exhibition at the National Gallery, London, in 1995, it is reissued here with additional color illustrations and a new introduction by esteemed scholar Nicholas Penny.