Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters

Ansel Adams (1902-1984) was a pioneer of landscape photography, whose imagery-especially his iconic views of the American National Parks--is widely published and instantly recognizable. While he is undoubtedly one of the best-loved and best-known visionaries of American art, photographers also recognize him as a pioneer of technique, a theoretician, and as one of the great teachers of the craft of photography.
His zone system has been widely adapted, but Adams unique imagery also relied on his determination and application at every stage of the photographic process; he spent years in his darkroom, as well as out in the open air. For decades, this kind of attention to detail required the kind of equipment, time, and facilities that were out of the reach of most photographers--but now, in the digital age, technology has finally made his techniques accessible.
This book will show you what can be learned from Adams working process, and how these lessons can be applied today. The craft of Adams photography is discussed, and the ZONE SYSTEM is related to the digital age. Sections on light, composition, mood, and the darkroom all show what can be achieved today using and understanding his thinking. Michael Frye's own photography provides many stunning examples of the results that can be achieved and, as one of Adams' natural successors in the field, he is well placed to analyze the inspirational shots which open each chapter.
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Digital SLR Photography All-In-One for Dummies

If you have a digital SLR camera, you'll find everything you need in this full-color reference to help you get the best results. Ten self-contained minibooks cover the basics of dSLR photography and address camera models from the five leading dSLR manufacturers. Topics include lenses, exposure, lighting, composition, processing and editing, a guide to manufacturers and systems, and a guide to camera settings, plus separate minibooks covering video and high dynamic range (HDR) photography.This full-color volume covers all the key elements essential to good photography as well as the basics of camera bodies and lenses, dSLR workflow, and advice on the best camera settings to use for different situationsCovers lighting, composition, and exposure as well as macro and telephoto lensesFeatures minibooks on video, HDR photography, processing and editing images, and a guide to leading camera manufacturers and systems.
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Photo Recipes Live (2): Behind the Scenes: Your Guide to Today's Most Popular Lighting Techniques

Scott Kelby, author of the best-selling "The Digital Photography Book, "once again brings to life his "Photo Recipes" chapter--not just from this book, but from his smash best-selling follow-ups, volumes 2 and 3. In this two-hour video and companion booklet, Scott shows you exactly how it's all done, from scratch, without holding anything back.
If you've ever wondered how the pros use natural light, studio light, and even direct daylight to get those amazing shots, you'll see it all here, live, as it happens. For this follow-up to the incredibly popular first volume of "Photo Recipes Live, " Scott heads to Miami--both on location and in the studio--to re-create the looks he describes in the book, along with some bonus lighting set-ups that aren't in the book.
Everything is put together from scratch (from studio shots to location shots), all while the cameras are rolling-- you see it all from the very beginning so you'll be able to re-create those same looks without spending thousands on expensive high-end equipment.
Best of all, Scott explains everything in simple, plain English, just like he'd tell a friend, using the same casual, conversational style that made his series of books a worldwide sensation. If you've ever wondered "how they do it," you're about to fi nd out in this amazing DVD/book combo that shows how easy this all can be--once you know the secrets.
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Why photographs work : 52 great images : who made them, what makes them special and why

 by George Barr. Every photographer, from weekend enthusiast to professional, can learn by studying the "greats". In Why Photographs Work, author/photographer George Barr analyzes 52 striking images by some of the world's top photographers. Accompanying Barr's analysis of each image is an explanation by the photographer describing the circumstances of making the image, including not only the how, but also the why. Also included is each photographer's biography, a reference to his or her websites and publications, and brief technical descriptions of the equipment used in making each image. With guidance from Barr, we learn to decipher that certain intangible "something" that makes an image go beyond the ordinary. As we gain an understanding of and appreciation for the elements that make an image truly great, we are bound to improve our own images as well.Included are images by:Charles Cramer, Bruce Barnbaum, Harald Mante, Dan Burkholder, Nick Brandt, Hans Strand, Roman Loranc, Huntington Witherill, Susan Burnstine, Ryuijie, Beth Moon, Phil Borges, Shaun O'Boyle, David Ward, Michael Levin, Michael Reichmann, Michael Kenna, Cole Thompson, George Jerkovich, Bengt Ekelberg, Sandra Davis, Brian Kosoff, Joe Lipka, Gordon Lewis, Lawrence Chrismas, Craig Richards, and many more. --Summary (Check Catalog)

Water Paper Paint: Exploring Creativity with Watercolor and Mixed Media

Studio artist Smith Jones presents a new kind of art how-to book, in which she tackles many of the intangibles of the creative process but from a practical point of view. She is not constrained by any one medium, and she encourages readers to stretch beyond their boundaries. Various drawing, watercolor, and collage materials, as well as different methods, subject matters, and ways to display completed work, are discussed. This book will appeal to artists who want to rekindle their creative spirit, and it could inspire hobbyists and scrapbookers to take a next step. (Library Journal)
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100 Best Paintings in New York

100 Best Paintings in New York combines art history, commentary, and tourists' guide to provide you with a deeper understanding and appreciation of New York's greatest works of art. The descriptions draw attention to fascinating details in each work and look at why, where, or for what occasion they were painted. A biographical chronology of each artist accompanies the essays as well as a sample listing of works by other contemporary painters. From Jan van Eyck to Mark Rothko, from Diego Velazquez to Georgia O'Keefe, 100 Best Paintings in New York covers the complete spectrum of masterpieces in New York's great galleries.
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Glories of the Hudson: Frederic Edwin Church's Views from Olana

In 1609, Henry Hudson sailed up the river that now bears his name. The exhibition and its accompanying publication Glories of the Hudson: Frederic Edwin Church's Views from Olana mark the quadricentennial of his discovery by highlighting Frederic Church's sketches of the prospect from his hilltop home overlooking the river. Church made his first sketch of the Hudson River and Catskill Mountains from Red Hill—the south end of the property that became his home, Olana—in 1845, on a sketching expedition suggested by his teacher Thomas Cole. Returning to the Hudson Valley in 1860 as the nation's most famous and best-paid artist, Church settled on a farm on the lower slope of the Sienghenbergh, securing for himself and his new wife a splendid vantage point for studying, sketching, and painting the river.

Church continued to add land to his property, attaining new and varied vistas of the river, and crowned the estate with a Persian-inspired house designed to frame splendid views of the Hudson River and Catskill Mountains. Church never tired of his views of the river, documenting his passion for the Hudson in paintings, oil sketches, and drawings. From Olana, he observed the transformations wrought by the changing seasons, weather, and light, capturing chilly winter snows, brilliant sunsets, and passing storms in sketches executed with a few brushstrokes or autumn colors and clear winter light in more finished easel paintings. The best of these are reproduced here, in eighty-three illustrations, sixty-nine in full color, some of them published for the first time. The essay by Evelyn D. Trebilcock and Valerie A. Balint, the introduction by Kenneth John Myers, and the foreword by John K. Howat together provide an absorbing narrative of the development of the Hudson River School and its most successful artist. (Cornell University Press)
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